Berberian sound studio netflix11/20/2023 ![]() ![]() ![]() The theaters are still busy selling tickets to Christmas-week releases, but there is another Paranormal Activity sequel.ĬBGB, Don Jon, InAPPropriate Comedy, Last Love, Hell Baby, Zombie Hamlet. Verdict: See it if you could just listen to the unsettling sounds of Suspiria all day. He may not be De Palma, but this movie shows a ton of promise. I wish Strickland had found a way to push that reversal of expectation further into an actual plot resolution. And the letters from his mum turn out to be closer to the blood-soaked movie's horror than you might expect. (You may remember him as Karl Rove in W., Claudius Templesmith in The Hunger Games movies or the voice of Dobby in Harry Potter.) Gilderoy looks like Dobby next to the svelte, elegant, confident Italians, and when he fondles a letter from his mum back in England, his character skirts parody.īut then Gilderoy shows up the Italians in a key scene with his ability to draw sound effects from ordinary objects. (We see only its opening credits, but we hear entire scenes involving the slaughter of young equestrians and the Inquisition torture of witches.)Ī lot of the movie is just watching Jones at work, so it's lucky his Wally Shawn-esque little face is kind of fascinating. Yet, having seen only two Argento films (the one Gilderoy is making recalls Suspiria), I found the movie somewhat claustrophobic and repetitive, and occasionally yearned to catch a glimpse of the lurid horror film instead. My feelings fall between those two positions. This movie was made for horror geeks who don't mind spending 92 minutes just soaking up the atmosphere of the giallo. If you enjoy homages to horror movies and the key role sound plays therein? No. Don't expect an escalation of terror, or even much plot. Berberian Sound Studio is emphatically not one, despite its pervasive creepiness. If you want a straight horror movie? Yes. It's on video, Netflix and Amazon Instant, etc. Writer-director Peter Strickland won British and festival awards for this arty evocation of '70s horror - in which no blood is shed on screen. Berberian Sound Studio is an original soundtrack album by the British band Broadcast.The album is a soundtrack to Peter Stricklands 2012 horror film Berberian Sound Studio. Surrounded by the sounds of mayhem, Gilderoy starts to imagine himself the savior of a young actress doing ADR (Fatma Mohamed) who clashes with the producer over the volume of her screams. And he just can't get used to the bearded Foley artists, known as Massimo and Massimo, who smash melons to approximate smashing heads. ![]() The secretary gives him the runaround when he tries to get his expenses reimbursed. The pompous producer (Cosimo Fusco) and lecherous director (Antonio Mancini) roll their eyes at Gilderoy's shyness and squeamishness. He's way out of his depth at the Italian studio. Gilderoy (Toby Jones), a meek British sound engineer known for his work on nature and children's programs, has been hired to mix a brutal Italian horror flick in the Dario Argento vein. The elderly sound engineer shuffles about the place like a zombie.This week in movies you missed: You've seen the "art of horror." Now hear the sound of horror. The title of the movie is The Equestrian Vortex and it's based on a true story. Is there a fresh melon?' Toby Jones is a lofty British sound recordist in Italy to add the squelchy sound effects to what has all the earmarks of a cheap giallo, whose pompous director (Mancino) feels captures the truth of a witch-goblin-torture-virgin college students-slasher: 'This is not a horror film – this is a Santini film!' As Jones becomes increasingly concerned he won't be paid for the work, he gets sucked into the witchy story on screen, getting increasingly bedraggled as he begins to lose his mind.Īlthough we never get to see the movie itself, through the snatches of dialogue and the reading of the scene synopsis to give the voiceover actor's motivation, the humour leaks through: 'Scene thirteen: the dangerously aroused goblin tries to molest Teresa' At the end of his tether and sick of Jones' wormy disquiet over money, watching blustery producer Francesco (Fusko) slowly get worked up from calm business man to a jittery mess is fun. A must for horror fans and there isn't a monster, a killer, or a gruesome death in sight? Or even blood? What gives? This 70s-set comedy horror is for those who enjoyed The Conversation and Italian gore-fests. ![]()
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